Cyrus Highsmith

Daxton Hotel2021

• Mucca

Contributed by Sean O'Connor

Fresh to Table2020

• Lippincott

Contributed by Swiss Typefaces

Shaping the World by Antony Gormley and Martin Gayford2020

• Thames & Hudson

Contributed by Gareth Hague

The Longleaf Hotel & Lounge2020

• Creative Office of Joshua Gajownik

Contributed by Joshua Gajownik

Connecting Things event promo: Andrew Hochradel2020

• Amy Hood

Contributed by Jen Hood

GQ Style covers, “Peace Unity and Love”, 10 May 20212021

• unknown

Contributed by Emma Kumer

Terres Blanques Corral del Cabrer2021

• Senyor Estudi

Contributed by Lluís Serra

Daily Xpress (2008)2008

Contributed by Font Bureau

Glowceuticalsc. 2020

• Posoka Studio

Contributed by Vassil Dimitrov

10 Years of Fonts In Use

Contributed by Nick Sherman

Fisiosc. 2020

• Paula Pons

Contributed by Paula Pons

Hyper-Mediocrec. 2020

• Hyper Mediocre

Contributed by Hyper Mediocre

They Might Be Giants – I Like Fun album art2018

• Paul Sahre

Contributed by Jack Grimes

New York magazine’s ‘Television in Crisis’ series2020

• New York Magazine

Contributed by Nick Sherman

Corpus Naturals deodorants2018

• Estee Kim
• Wondersauce

Contributed by Estee Kim

Entre parágrafos by Cyrus Highsmith2017

• André Maya
• Rafael Dietzsch
• Estereográfica

Contributed by Estereográfica Editorial

Spring Break, Coalition Theaterc. 2020

• The Hot Brain

Contributed by Florian Hardwig

L’Avant Seine Théâtre de Colombes2019

• Atelier C’est signé
• Mora Prince

Contributed by Florian Hardwig

7th graphics2017

• Gazmend Zeneli

Contributed by Gazmend Zeneli

Netflix: The Irishman newspaper2019

• Ryan Heape
• Yiching Sung
• Invisible North

Contributed by Ryan Heape

San Diego Magazine redesign2020

• J. Sydnie Goodwin

Contributed by R-Typography

A Night of 1,000 Laughs2020

• The Hot Brain

Contributed by Eric Gordon

GQ USA (December 2017–July 2018)2017

• Condé Nast
• Andre Jointe
• Justin Patrick Long

Contributed by Swiss Typefaces

New York magazine 50th anniversary issue2017

• Tom Alberty
• Chris Cristiano

Contributed by XYZ Type

New York magazine (2019–)c. 2019

• Tom Alberty
• Chris Cristiano

Contributed by XYZ Type

ZYZZYVA Nº117, “The Bay Area Issue”2019

• Josh Korwin
• Three Steps Ahead

Contributed by Josh Korwin

WSJ Apple TV app2019

• Thomas Williams
• The Wall Street Journal
• Adam Fisher-Cox

Contributed by Type Network

Le Monde en Sphères2018

• Michelines

Contributed by R-Typography

Stories From Far Away On Piano / Reworks by James Heather2018

• suki

Contributed by suki

Rolling Stone magazine, “Annual Awards Issue” No. 278, Jan 22, 19981998

• Gail Anderson
• Fred Woodward

Contributed by David Merfield

Patois restaurantc. 1997

• Laurie Rosenwald

Contributed by Florian Hardwig

Arkhé2018

• Senyor Estudi

Contributed by Lluís Serra

WSJ Design2018

• The Wall Street Journal
• Che Douglas

Contributed by Type Network

The Daily Times2019

• Sam Sandvig Hosman

Contributed by Sam Sandvig Hosman

Gerard Unger overleden, de Volkskrant website2018

• de Volkskrant

Contributed by Matthijs Sluiter

Sydney Symphony Orchestra2013

• Sametz Blackstone Associates

Contributed by Emtype Foundry

Feuermelder pub, Berlinc. 2004

• unknown

Contributed by Florian Hardwig

Islander Bar Grillec. 2010

• unknown

Contributed by Jargon Scott

Blue Apron Inc. identityc. 2017

• unknown
• Linda Chow

Contributed by TypeMates

Marx and Marxism — Gregory Claeys2018

• Matthew Young

Contributed by Mathieu Triay

Garden Museum2017

• Pentagram

Contributed by Florian Runge

Simpson Street identity & website2017

• Tristan Palmer Studio

Contributed by tristan palmer

Nosaj Thing — Parallels2017

• Adam Guzman

Contributed by Love Lagerkvist

Seattle Met, Giorgio Phase2013

• André Mora

Contributed by André Mora

New York magazine, July 10–23, 2017 “The Doomed Earth Catalog”2017

• Justin Metz

Contributed by Love Lagerkvist

Juice magazinec. 2005

• Tracie Louck

Contributed by Font Bureau

Mid Day2016

Contributed by Willerstorfer Font Foundry

Smart Money coversc. 2012

Contributed by Font Bureau

RCA Show Branding 2016c. 2016

• Kai Damian Matthiesen
• Laura Jouan

Contributed by Kai Damian Matthiesen

“About the Typefaces Not Used in This Edition” — Jonathan Safran Froer, The Guardian2002

• David Hillman

Contributed by Blythwood

Juicero website2016

• unknown

Contributed by Stephen Coles

da-da-da #3: Ihr Kinderlein Kommmet window2016

• Manuel Wesely
• Muriel Serf
• Martha Bayer

Contributed by Manuel Wesely

Future Classic DJs & Friends at the Bad Room poster2016

• Bráulio Amado

Contributed by Nick Sherman

St. Katharine Docks, London quarterly newsletter

• Clarke Cribb

Contributed by Clarke Cribb

Starbucks coffee beans packagingc. 2016

• unknown

Contributed by Peiran Tan

Arizona Daily Star & La Estrella de Tucsón (2004–08)c. 2004

• José Merino

Contributed by Font Bureau

The Right to Fly, Pushkin Press/The London Library2016

• David Pearson

Contributed by Florian Hardwig

Shooting Times & Country Magazine, 31 Aug 20162016

• Dean Usher

Contributed by Dean Usher

New York magazine, Culture Pages, Fall Preview 20162016

• Thomas Alberty
• Miranda Dempster
• Randy Minor

Contributed by Florian Hardwig