“Richard Lipton designed this spirited oldstyle for Font Bureau;
the romans gain their energy from French baroque forms cut late in
the sixteenth century by Robert Granjon, the italics from Dirk
Voskens’ work in seventeenth-century Amsterdam. The series offers
vital and legible text with rich choices for forceful display;
fifteen fonts provide three weights of roman and italic backed by
titling, small caps, and swash styles.” — Font Bureau, 1994
Extended in 2016, now available from Lipton Letter Design in
three optical sizes: Text, Display, and Banner. The Display and
Banner cuts feature Condensed and Extra More…
“Richard Lipton designed this spirited oldstyle for Font Bureau; the romans gain their energy from French baroque forms cut late in the sixteenth century by Robert Granjon, the italics from Dirk Voskens’ work in seventeenth-century Amsterdam. The series offers vital and legible text with rich choices for forceful display; fifteen fonts provide three weights of roman and italic backed by titling, small caps, and swash styles.” — Font Bureau, 1994
Extended in 2016, now available from Lipton Letter Design in three optical sizes: Text, Display, and Banner. The Display and Banner cuts feature Condensed and Extra Condensed widths. This entry is for the original Meno and the new Meno Display.