The publication, counting 152 pages and measuring 32×25,5 cm, was designed by Granada Hills and is typeset in Slussen by Blaze Type and Office Times from BoulevardLAB. It contains essays by the art critics Dominic Eichler, Pamela Hansford, and Darla Migan, each focussing on a series or an element of Fangor’s artistic interest. The images showcase Fangor’s artworks along with interior photographs of his various studios.