Available from Font Bureau via Type Network.
“Bureau Grot is now accepted as the essence of tooth and
character in an English nineteenth-century sans. The current family
was first developed by David Berlow in 1989 from original specimens
of the grotesques released by Stephenson Blake in Sheffield. These
met with immediate success at the Tribune Companies and
Newsweek, who had commissioned custom versions at the
behest of Roger Black. Further weights were designed by Berlow for
the launches of Entertainment Weekly and the Madrid daily
El Sol, bringing the total to twelve styles by 1993. Jill
Pichotta, Christian Schwartz, and Richard Lipton expanded
the More…
Available from Font Bureau via Type Network.
“Bureau Grot is now accepted as the essence of tooth and character in an English nineteenth-century sans. The current family was first developed by David Berlow in 1989 from original specimens of the grotesques released by Stephenson Blake in Sheffield. These met with immediate success at the Tribune Companies and Newsweek, who had commissioned custom versions at the behest of Roger Black. Further weights were designed by Berlow for the launches of Entertainment Weekly and the Madrid daily El Sol, bringing the total to twelve styles by 1993. Jill Pichotta, Christian Schwartz, and Richard Lipton expanded the styles further, at which point the family name was shortened from Bureau Grotesque.” — Font Bureau, 1989–2006
