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(977)
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Typefaces
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Acumin
(55)
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(80)
Agrandir
(54)
LL Akkurat
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Aktiv Grotesk
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Akzidenz-Grotesk
(386)
Akzidenz-Grotesk Condensed
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Albertus
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Alternate Gothic
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Amelia
(55)
GT America
(146)
ITC American Typewriter
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Ano
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Antique Olive
(79)
Anzeigen-Grotesk / Neue Aurora IX
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Aperçu
(88)
Apoc
(159)
Arial
(192)
Atlas Grotesk
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ITC Avant Garde Gothic
(296)
Avenir
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Avenir Next
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Baby Teeth
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Baskerville
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Benton Sans
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Bodoni
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Brandon Grotesque
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LL Brown
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Brush Script
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Bureau Grot
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Caslon No. 471 & 540
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Century Expanded
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Century Schoolbook
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Cheltenham
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LL Circular
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Clarendon
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Compacta
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Cooper Black
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Copperplate Gothic
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Courier
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Davida
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FF DIN
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Druk
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Druk Wide
(80)
Elephant (Alias)
(60)
Euclid Flex
(80)
Eurostile
(251)
TWK Everett
(125)
ABC Favorit
(92)
Folio
(118)
Founders Grotesk
(138)
Franklin Gothic
(269)
ITC Franklin Gothic
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Futura
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Futura Black
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Futura Condensed
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Futura Display
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Geogrotesque
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Georgia
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Gill Kayo
(97)
Gill Sans
(292)
Gotham
(248)
Grand Slang
(68)
Graphik
(140)
Grotesque No. 9
(60)
Haas Inserat-Grotesk / Neue Aurora VIII
(57)
Harbour
(198)
Helvetica
(1233)
Helvetica Condensed
(148)
Hobo
(79)
Inter
(64)
Interstate
(99)
Kabel
(95)
Kabel Black
(90)
Knockout
(136)
TWK Lausanne
(191)
Lydian
(79)
Lyon
(76)
Maison Neue
(64)
Microgramma
(84)
Minion
(76)
Monotype Grotesque
(82)
Montserrat
(79)
ABC Monument Grotesk
(58)
Motter Ombra
(78)
Neue Haas Grotesk
(212)
Neue Haas Unica
(55)
Neue Helvetica
(358)
Neue Montreal
(63)
Neutraface
(80)
News Gothic
(294)
Ogg
(89)
Omnes
(77)
Open Sans
(57)
Optima
(166)
Palatino
(83)
Plaak
(58)
Plantin
(68)
Proxima Nova
(104)
Roboto
(66)
Romie
(77)
GT Sectra
(70)
ITC Serif Gothic
(111)
Sharp Grotesk
(69)
ITC Souvenir
(135)
Suisse Int’l
(310)
Suisse Works
(93)
Surt
(91)
Tempo
(59)
Tiempos
(93)
Times
(120)
Times New Roman
(273)
Trade Gothic
(185)
Univers
(572)
Venus
(72)
Venus Extended
(88)
Vogue
(60)
GT Walsheim
(95)
Windsor
(105)
Work Sans
(57)
These are the most common typefaces in the database, but there are many more.
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Pier-Philippe Rioux
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BESIDE
magazine, Issue 11
2021
BESIDE Media
Eliane Cadieux
Pier-Philippe Rioux
Contributed by Pier-Philippe Rioux
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