A dimensional companion to Thorowgood Grotesque, made in a single all-caps weight, with layer styles that can be combined for chromatic effect..

“This [dimensional] effect did not originate with Thorowgood, but with Blake & Stephenson in Sheffield as Ten Lines Sans Surryphs Ornamented, and appears in their specimens in the late 1830s. Cut in one size only, it shines out from the specimens, and is best known from its appearance in Nicolete Gray’s Nineteenth Century Ornamented Type.” – Commercial Classics