First shown in wood in 1854 by Wells & Webb. [Shields]
Phototype adaptations include Grover Xenotype
[PLINC
One-Liner] and Silverado [Solo: Victorian
Display Alphabets, 1976]
Cottonwood
(Adobe, 1989) is a digital interpretation and used for the sample.
Other, less commendable digital versions include Grover
Xenotype (anon.), Cottage (Corel, 1992),
Alamo (SSi, 1992, AKA Tucson),
Dogwood (WSI, 1992), Cowboy (Bay
Animation, 1994), and Lincoln (Brendel, 1995). With
the exception of Grover Xenotype, these all appear to
be derived from Adobe’s digitization. Italienne
(Manfred Klein, 2004) is a electronically More…
First shown in wood in 1854 by Wells & Webb. [Shields]
Phototype adaptations include Grover Xenotype [PLINC One-Liner] and Silverado [Solo: Victorian Display Alphabets, 1976]
Cottonwood (Adobe, 1989) is a digital interpretation and used for the sample. Other, less commendable digital versions include Grover Xenotype (anon.), Cottage (Corel, 1992), Alamo (SSi, 1992, AKA Tucson), Dogwood (WSI, 1992), Cowboy (Bay Animation, 1994), and Lincoln (Brendel, 1995). With the exception of Grover Xenotype, these all appear to be derived from Adobe’s digitization. Italienne (Manfred Klein, 2004) is a electronically condensed derivative and accompanied by Berloos Comix, a variant with added smiley faces.