The graphic conception arises from the object CAN, and begins with an editorial object highlighting their researches, in the course of a discussion. The editorial object is itself witness of their vision of the design as well as their working process, as studio. Afterward, I developed the graphic communication within the framework of the D’day Festival, to the Musée des Arts Décoratifs de Paris to design the identity of the exhibition. Finally, all photography of the commemorative object was realized by Rimasuu Studio.