The Darkest Corners of The Whitest Cube at Kunsthaus Dresden
Contributed by Stephen Coles on Nov 9th, 2013. Artwork published in
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Source: lamm-kirch.com License: All Rights Reserved.
The simple addition of descending thorns turns the narrow display variant of Gill Sans into letters that reference Rubensesque type, a genre that we now associate with the dark and spooky.
1 Comment on “The Darkest Corners of The Whitest Cube at Kunsthaus Dresden”
A little customization goes a long way. I wish more graphic designers would consider an approach like this.