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Typefaces
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Acumin
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Agrandir
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Akzidenz-Grotesk
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Amelia
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GT America
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ITC American Typewriter
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Ano
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Antique Olive
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Anzeigen-Grotesk / Neue Aurora IX
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Aperçu
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Apoc
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Arial
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Atlas Grotesk
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ITC Avant Garde Gothic
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Avenir
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Avenir Next
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Baby Teeth
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Baskerville
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Benton Sans
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Bodoni
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Brandon Grotesque
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LL Brown
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Brush Script
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Bureau Grot
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Caslon No. 471 & 540
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Century Expanded
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Cheltenham
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LL Circular
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Clarendon
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Compacta
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Cooper Black
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Copperplate Gothic
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Courier
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Davida
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FF DIN
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Druk Condensed
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Druk Wide
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Elephant (Alias)
(59)
Euclid Flex
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Eurostile
(244)
TWK Everett
(123)
ABC Favorit
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Folio
(117)
Founders Grotesk
(137)
Franklin Gothic
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ITC Franklin Gothic
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Futura
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Futura Black
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Georgia
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Gotham
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Grand Slang
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Graphik
(137)
Grotesque No. 9
(60)
Haas Inserat-Grotesk / Neue Aurora VIII
(57)
Harbour
(198)
Helvetica
(1209)
Helvetica Condensed
(143)
Hobo
(79)
Inter
(62)
Interstate
(99)
Kabel
(94)
Kabel Black
(88)
Knockout
(136)
TWK Lausanne
(191)
Lydian
(79)
Lyon
(75)
Maison Neue
(64)
Microgramma
(84)
Minion
(76)
Monotype Grotesque
(82)
Montserrat
(79)
ABC Monument Grotesk
(58)
Motter Ombra
(78)
Neue Haas Grotesk
(204)
Neue Helvetica
(352)
Neue Montreal
(63)
Neutraface
(80)
News Gothic
(288)
Ogg
(88)
Omnes
(77)
Open Sans
(57)
Optima
(164)
Palatino
(81)
Plaak
(58)
Plantin
(66)
Proxima Nova
(102)
Roboto
(64)
Romie
(74)
GT Sectra
(70)
ITC Serif Gothic
(111)
Sharp Grotesk
(67)
ITC Souvenir
(132)
Suisse Int’l
(305)
Suisse Works
(92)
Surt
(91)
Tempo
(59)
Tiempos
(93)
Times
(119)
Times New Roman
(269)
Trade Gothic
(183)
Univers
(566)
Venus
(72)
Venus Extended
(87)
Vogue
(58)
GT Walsheim
(95)
Windsor
(105)
Work Sans
(56)
These are the most common typefaces in the database, but there are many more.
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Matthew Boteilho
Uses designed by Matthew Boteilho
Show:
All (3)
Staff Picks (1)
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Andrew Weathers –
AW Solo Album
(Blue Hole Recordings)
2020
Matthew Boteilho
Contributed by Matthew Boteilho
Joseph Allred –
Cub Creek Blues
(Blue Hole Recordings)
2020
Matthew Boteilho
Contributed by Matthew Boteilho
Staff Pick
Matthew J. Rolin –
Moment
(Blue Hole Recordings)
2020
Matthew Boteilho
Contributed by Matthew Boteilho
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