Originally designed by Elżbieta Krużyńska in 1974, in positive
and negative variants, intended for the production of matrices for
phototypesetting devices. Krużyńska used the help of photographer
Zenon Renke, with whom, in the studio of the Research and
Development Center for the Printing Industry, they attempted to
rasterize letters of different sizes and with different line
densities. The project remained unrealized at the time.
Digitized and expanded in 2020 by Mateusz Machalski, with the
help of professor Piotr Welk from the Academy of Fine Arts in
Warsaw, who created a processing program for vector rasters.
Drawings and programming by Machalski together with Małgorzata
Bartosik. The digitization More…
Originally designed by Elżbieta Krużyńska in 1974, in positive and negative variants, intended for the production of matrices for phototypesetting devices. Krużyńska used the help of photographer Zenon Renke, with whom, in the studio of the Research and Development Center for the Printing Industry, they attempted to rasterize letters of different sizes and with different line densities. The project remained unrealized at the time.
Digitized and expanded in 2020 by Mateusz Machalski, with the help of professor Piotr Welk from the Academy of Fine Arts in Warsaw, who created a processing program for vector rasters. Drawings and programming by Machalski together with Małgorzata Bartosik. The digitization process was also assisted by Adam Twardoch, Michał Jarociński, and Andrzej Tomaszewski. Released by Capitalics in Oct. 2022.
