Roger Excoffon’s groundbreaking 3D halftone design, produced with the help of José Mendoza y Almeida and released by Fonderie Olive in 1958.
Several digital revivals exist, including attempts from Ralph M. Unger (profonts, 2005, shown here), Marty Bee, Joep Pohlen, and Belafonte, an homage by Loïc Sander.
Contributed by Curtis E. Gardner
Contributed by Florian Hardwig
Feast your eyes on Glyptic DJR, a revival of Herman Ihlenburg’s ornamental serif from 1878. It’s a Victorian oddball chock full of curlicues and chaotic energy.
Contributed by Stephen Coles
Contributed by Stephen Hampson
Contributed by Quentin Schmerber
Contributed by Nick Sherman
Contributed by Fonts In Use Staff