“A Zirkular Kartenschrift, cut by Wagner & Schmidt
in 1926, was cast around 1927 by many foundries. Willy Schumann
designed some initials to it for Burgund [should be:
Butterfly] of Schriftguss; Georg Belwe another set for
L. Wagner (as Schönschrift Mozart Initialen); E.
Thiele designed an exclusive series for Haas, Troubadour
Open”. [JBJ]
Two weights. In addition to Troubadour by Haas (light 1926, bold
1928 [Reichardt
2011]), it was also cast as Schönschrift Mozart
(Ludwig Wagner, light, 1927), Butterfly (Schriftguss,
light 1927, bold 1928 [Wetzig
1926]), Gracia (Amsterdam, light),
Donatello (Nebiolo, light, before 1935,
also bold?), Hertha Circulär (Berling, light),
Comteß Lola (Norddeutsche Schriftgießerei, light),
Elegant (Weisert, light), More…
“A Zirkular Kartenschrift, cut by Wagner & Schmidt in 1926, was cast around 1927 by many foundries. Willy Schumann designed some initials to it for Burgund [should be: Butterfly] of Schriftguss; Georg Belwe another set for L. Wagner (as Schönschrift Mozart Initialen); E. Thiele designed an exclusive series for Haas, Troubadour Open”. [JBJ]
Two weights. In addition to Troubadour by Haas (light 1926, bold 1928 [Reichardt 2011]), it was also cast as Schönschrift Mozart (Ludwig Wagner, light, 1927), Butterfly (Schriftguss, light 1927, bold 1928 [Wetzig 1926]), Gracia (Amsterdam, light), Donatello (Nebiolo, light, before 1935, also bold?), Hertha Circulär (Berling, light), Comteß Lola (Norddeutsche Schriftgießerei, light), Elegant (Weisert, light), Berna (Fonderia Tipografica Cooperativa, both weights), Escritura Gutenberg (lranzo, both weights), Luscinda (FTN, both weights), Siglinde (Zanker, light), Serie Cleopatra (Gallico, light), Serie Torini (Grimoldi, light), Wisla (Idzkowski, light), Le Zéphyr (Warnery, both weights). [Reichardt] Gloria (Gans, 1930) is similar.
Digital versions include Wagner Script (Canada Type, 2011, light only, used for the sample) and Troubadour Pro by Ralph M. Unger (RMU, 2010, bold and open styles only).
