Designed in 1937 by Berthold Wolpe for the exclusively use at
the Fanfare Press, and cut at Monotype in 1939. Initially named
Fanfare Bold Condensed Italic Titling No. 2, it was later known as
Cyclone [Janus,
Fowler]. No lowercase. Jaspert and Reichardt credit the design to
“W. Ingram” — probably a mix-up with
Ernest Ingham, chairman of the Fanfare Press who commissioned the
typeface.
AKA series 516. An earlier version, Fanfare Bold Condensed
Italic Titling aka series 514 was destroyed in a bombardment
[Wikipedia].
Digitally revived and extended by Toshi Omagari in 2017 as
Wolpe Fanfare, adding four lighter weights plus an
Inline style which can be used for layering. The lowercase holds
smaller capitals. Includes Greek and Cyrillic. The sample shows
Wolpe Fanfare Black which comes closest to the
original design. See also More…
Designed in 1937 by Berthold Wolpe for the exclusively use at the Fanfare Press, and cut at Monotype in 1939. Initially named Fanfare Bold Condensed Italic Titling No. 2, it was later known as Cyclone [Janus, Fowler]. No lowercase. Jaspert and Reichardt credit the design to “W. Ingram” — probably a mix-up with Ernest Ingham, chairman of the Fanfare Press who commissioned the typeface.
AKA series 516. An earlier version, Fanfare Bold Condensed Italic Titling aka series 514 was destroyed in a bombardment [Wikipedia].
Digitally revived and extended by Toshi Omagari in 2017 as Wolpe Fanfare, adding four lighter weights plus an Inline style which can be used for layering. The lowercase holds smaller capitals. Includes Greek and Cyrillic. The sample shows Wolpe Fanfare Black which comes closest to the original design. See also Latex (Canada Type, 2015).
Not to be confused with Berthold’s Fanfare.
