Originally cut in c. 1886 by John F.
Cumming and sold by Dickinson as
Quaint with Quaint Open. With alternates for
‘BNR’, a catchword for “and”, and triangular ornaments. [1896
ATF specimen]
Also sold by Karl
Brendler as Othello (solid) with Desdemona
(open), by Urania as
Serie Bohème, and by Augusta as
Falstaff. [Reichardt
2011] Brendler’s Desdemona was reproduced in
Petzendorfer’s Schriftenatlas, Neue Folge (1903–1905), w/
alternate ‘S’.
“In the 1960s, John McConnell revived Desdemona
when he and Chris Dubber started Face Photosetting, one of the
first of European advertising type companies in London.” [Ascender].
Came in 2 variants named
Desdemona (open) and Desdemona Solid,
both w/ alternate ‘S’. [c.1981 catalog] Desdemona
Solid was adopted by Letraset in their Letragraphica range.
[More…
Originally cut in c. 1886 by John F. Cumming and sold by Dickinson as Quaint with Quaint Open. With alternates for ‘BNR’, a catchword for “and”, and triangular ornaments. [1896 ATF specimen]
Also sold by Karl Brendler as Othello (solid) with Desdemona (open), by Urania as Serie Bohème, and by Augusta as Falstaff. [Reichardt 2011] Brendler’s Desdemona was reproduced in Petzendorfer’s Schriftenatlas, Neue Folge (1903–1905), w/ alternate ‘S’.
“In the 1960s, John McConnell revived Desdemona when he and Chris Dubber started Face Photosetting, one of the first of European advertising type companies in London.” [Ascender]. Came in 2 variants named Desdemona (open) and Desdemona Solid, both w/ alternate ‘S’. [c.1981 catalog] Desdemona Solid was adopted by Letraset in their Letragraphica range. [Letraset 1976] While Face’s revival stays close to the Petzendorfer showing, Letraset’s exhibits some differences, most notably in ‘OPQW8’.
Digital versions include Desdemona (open) by David Berlow for Font Bureau (1992, bundled with Microsoft Office 4.3), Desdemona Black and Open by Richard Beatty (1994, w/ small caps and ornaments), and Quaint Gothic by Jim Spiece.
