Cut by William
Kirkwood after a design by Elisha
Pechey. Issued by Stephenson
Blake in eight styles;
Windsor (1903 [other sources: 1905]),
Condensed, Elongated,
Outline (all before 1908), Light,
Medium, Medium Italic, and Light Condensed (1911).
The Light (before 1908) was
initially named Saint George. Some styles also
cast by Triangle, Hansen (as Cambridge),
Neufville (Medium, as Carnaby), and Bauer
(as Marocco) [Reichardt
2011] [1908
SB specimen].
Philip
Kelly added Windsor Extra Bold Condesed (1971) and
Ultra Heavy (1975) at Letraset.
Many digitizations. The versions by Linotype and Monotype span
six styles; Light, Bold (i.e. the original style, shown),
UltraHeavy, Elongated, ExtraBold Condensed, Outline. Elsner+Flake
additionally has a Light Condensed, URW an Antique
Bold. More…
Cut by William Kirkwood after a design by Elisha Pechey. Issued by Stephenson Blake in eight styles; Windsor (1903 [other sources: 1905]), Condensed, Elongated, Outline (all before 1908), Light, Medium, Medium Italic, and Light Condensed (1911). The Light (before 1908) was initially named Saint George. Some styles also cast by Triangle, Hansen (as Cambridge), Neufville (Medium, as Carnaby), and Bauer (as Marocco) [Reichardt 2011] [1908 SB specimen].
Philip Kelly added Windsor Extra Bold Condesed (1971) and Ultra Heavy (1975) at Letraset.
Many digitizations. The versions by Linotype and Monotype span six styles; Light, Bold (i.e. the original style, shown), UltraHeavy, Elongated, ExtraBold Condensed, Outline. Elsner+Flake additionally has a Light Condensed, URW an Antique Bold. Bitstream has five styles; Light, Roman, Outline, Elongated, Light Condensed. Mecanorma offers Bold and Elongated. None includes the italic.
This entry is used for all styles except the Elongated.