A Tuscan with bulbous terminals. No. 132 was “first
shown by William Page in Page’s Wood Type Album,
October, 1879” [Kelly 1969]. Also known as
Phanitalian Ornamented No 2 [5216] (Wells), No 214 (Hamilton
Manufacturing Co.), Modoc No 1 or No
2169 (Tubbs) [RRK].
Phototype adaptations by Headliners in
the Morgan Press Collection as W 156 (with lowercase)
[1978 catalog], by Lettergraphics as Pincer (caps
only) [Lettergraphics 1968–1975], by Dan X. Solo
as Bohemia [Victorian
Display Alphabets, 1976], and by Face
Photosetting as Phanitalian Wood [Face c.
1981].
Digital interpretations include Phanitalian Wood
(Alan Prescott, 1996), Terlingua NF (Nick’s Fonts, 2005, with
small caps, used for sample), Phanitalian
(Paulo W, Intellecta, More…
A Tuscan with bulbous terminals. No. 132 was “first shown by William Page in Page’s Wood Type Album, October, 1879” [Kelly 1969]. Also known as Phanitalian Ornamented No 2 [5216] (Wells), No 214 (Hamilton Manufacturing Co.), Modoc No 1 or No 2169 (Tubbs) [RRK].
Phototype adaptations by Headliners in the Morgan Press Collection as W 156 (with lowercase) [1978 catalog], by Lettergraphics as Pincer (caps only) [Lettergraphics 1968–1975], by Dan X. Solo as Bohemia [Victorian Display Alphabets, 1976], and by Face Photosetting as Phanitalian Wood [Face c. 1981].
Digital interpretations include Phanitalian Wood (Alan Prescott, 1996), Terlingua NF (Nick’s Fonts, 2005, with small caps, used for sample), Phanitalian (Paulo W, Intellecta, 2007, with small caps, no numerals, 10 styles including 2 weights, 2 widths, italic, outlined, shadowed, and hatched variants), and Texas Ranger (Iconian Fonts, 2013, 13 styles incl. 3 widths, italic, rotalic, rotated, outlined variants).
