Drawn by Jan van Krimpen and cut by Paul H. Rädisch, referencing
a typeface attributed to Christoffel van Dijck named Kleine
Text Romein No. 2. [DTL] The
Roman cut was released in 1928 by Joh. Enschedé en Zonen. The
Italic followed in 1949.
An unfinished digital version was undertaken in 1995 by Peter
Matthias Noordzij and Fred Smeijers for TEFF [Peiran
Tan].
Holger Königsdörfer’s digital interpretation started at the
KABK in 2008 was released with Lazydogs in 2018 as LD
Renommée. Mark Askam made a digital revival for his
personal use at the Chestnut Press. So did
Jason
Dewinetz for the Greenboathouse Press in
2010/2011 (used for his
print of Stanley Morison’s First Principles of
Typography, 2012). Peiran More…
Drawn by Jan van Krimpen and cut by Paul H. Rädisch, referencing a typeface attributed to Christoffel van Dijck named Kleine Text Romein No. 2. [DTL] The Roman cut was released in 1928 by Joh. Enschedé en Zonen. The Italic followed in 1949.
An unfinished digital version was undertaken in 1995 by Peter Matthias Noordzij and Fred Smeijers for TEFF [Peiran Tan]. Holger Königsdörfer’s digital interpretation started at the KABK in 2008 was released with Lazydogs in 2018 as LD Renommée. Mark Askam made a digital revival for his personal use at the Chestnut Press. So did Jason Dewinetz for the Greenboathouse Press in 2010/2011 (used for his print of Stanley Morison’s First Principles of Typography, 2012). Peiran Tan made another unreleased digitization based on the Odyssey of Homer (used for the sample).
