A decorated capital alphabet by Jean Midolle shown in his
lettering sampler Spécimen des écritures modernes
(1834–1835) as “Romaine (genre arabesque)” [Signes].
Included in Lettera 2 (1961) without the shading.
Listed as “Romaine, genre arabesque (1830) retouched,
design: Jean Midolle, Genève”. In the 5th edition (1976), it
appears in a revised form, with expanded credits: “[redesigned and
completed by] Armin Haab.” Capitals only (A–Z, no J). Also included
in
an edition issued by Berthold in 1966.
Adopted by Mecanorma before 1971. [ad]
Shown in their Graphic Book #6 in the same form as in
Lettera 2 (1967), but
with an added ‘J’ made by mirroring ‘L’, as 82C Lettres
Ornees (alongside 82A AKA Lettres
Ombrées Ornées, and 82B AKA Olivia).
#14 lists it as Ornees C, with More…
A decorated capital alphabet by Jean Midolle shown in his lettering sampler Spécimen des écritures modernes (1834–1835) as “Romaine (genre arabesque)” [Signes].
Included in Lettera 2 (1961) without the shading. Listed as “Romaine, genre arabesque (1830) retouched, design: Jean Midolle, Genève”. In the 5th edition (1976), it appears in a revised form, with expanded credits: “[redesigned and completed by] Armin Haab.” Capitals only (A–Z, no J). Also included in an edition issued by Berthold in 1966.
Adopted by Mecanorma before 1971. [ad] Shown in their Graphic Book #6 in the same form as in Lettera 2 (1967), but with an added ‘J’ made by mirroring ‘L’, as 82C Lettres Ornees (alongside 82A AKA Lettres Ombrées Ornées, and 82B AKA Olivia). #14 lists it as Ornees C, with a Haas credit.
Exotica (West Wind Fonts, 2001, used for sample) is a freebie digitization based on the Haab redesign (auto-traced, with a ‘J’ made from ‘I’ and ‘G’). Bad Situation (Intellecta Design, 2008) is another (poor) digital rendition, based on a showing titled “Example Alphabet” in Examples of Modern Alphabets, Plain and Ornamental, collected and engraved by F. Delamotte, and first published in 1864.
