Gebr. Klingspor ads (1926) Photo(s) by Kirsten Solveig Schneider. Imported from Flickr on Jan 3, 2018. Artwork published in 1926. Source: www.flickr.com Uploaded to Flickr by Kirsten Solveig Schneider and tagged with “neuland” and “kochantiqua”. License: All Rights Reserved. “Wenige aber gute Schriften” — “Few but good typefaces. A selection from the most beautiful ones will give those printers who always want to satisfy their clients a decisive superiority in the daily competition. The use of our well-known artist’s typefaces ensures this superiority.” In: Typographische Mitteilungen, Vol. 23, Issue 7, July 1926 Source: www.flickr.com Uploaded to Flickr by Kirsten Solveig Schneider and tagged with “kochantiqua”. License: All Rights Reserved. “Our typefaces, cut by hand according to good old punchcutter’s custom, for which the best lettering artists provided the drawings, have proved themselves brilliantly in printing fine books. ¶ They lend a special unique expression to each work. ¶ They advertise and help every printer to keep those customers of printed matter who value good form and thoughtful work.” In: Typographische Mitteilungen, Vol. 23, Issue 5, May 1926 Source: www.flickr.com Uploaded to Flickr by Kirsten Solveig Schneider and tagged with “neuland”. License: All Rights Reserved. “A rich selection of wood type for poster printing. In addition to our type foundry we have taken up the production of poster typefaces in wood. In this department, which operates with the most modern machinery, we produce wood type in sizes up to 60 Cicero of most of our artist’s typeface designs. For this we exclusively use well-dried wood. Use the German typefaces of Rudolf Koch for successful results in artistic poster printing.” In: Typographische Mitteilungen, Vol. 23, Issue 4, April 1926 Typefaces Formats Advertising (1402) Topics Graphic Design (2167) Designers/Agencies Gebr. Klingspor (6) Tagged withGebr. Klingspor (8)magazine ads (226)type promotion (89)two-color (596)borders and rules (661)Typographische Mitteilungen (17)1920s (78)German (language) (1312)pilcrows (25)about type design (268)crosses (32)wood type (44)big type (1085)all caps (4042)stacked lines (194)metal type (108)compact diacritics (73)Weimar Republic (79) Artwork location Germany (2543) Offenbach (22) In Sets 2+ typefaces by 1 designer (Florian Hardwig) (536) Post a comment Name Email – will not be published Website Your response Submit Comment More Neuland in use Germs Make Me Sick! by Melvin Berger; 1985, 1995, 2015 editionsc. 1985Marylin HafnerContributed by Fonts In Use Staff Let’s Find Out About Halloween by Paulette Cooperc. 1972unknownErrol Le CainContributed by Jayce Wheeled Everth & Co. invoice, 1929c. 1928Contributed by Florian Hardwig Staff Pick Sponsor More in Graphic Design campsharrow websitec. 2014Travis SharrowContributed by Levon Sharrow Black Pepper ad in Modern Publicity (1973)1973Anton Herkner Graphisches AtelierContributed by Robert King Leah Downing portfolio website2020Leah DowningContributed by Alain Papazian Graphisme en France 20192019Traduttore, traditoreRozenn VoyerClément FayditContributed by 205TF More in Advertising Descente Super Fleece campaign2020Phillip KimContributed by Adrien Menard Olivetti Valentine poster1971Adrianus Van Der ElstContributed by Stephen Coles drucksalon calendar 20192019Berger + Co.Contributed by berger + Co. Ditchling Museum of Art & Craft2013Phil BainesNatalie BrauneContributed by Phil Baines Staff Pick More Fonts In Use The Railway by Hamid Ismailov2014Jonathan YamakamiContributed by Florian Hardwig Staff Pick Du couvent au bordel, La Table Ronde2017CheeriContributed by Margaux Saulou Staff Pick Zeichen Bücher Netze at Deutsche Nationalbibliothek2012Lamm & KirchContributed by Stephen Coles Staff Pick Pillar Visuals2022Sam MorganMike GiesserContributed by David Jonathan Ross Staff Pick