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La Metamorfosis by Franz Kafka (Alianza Editorial)

Contributed by Florian Hardwig on Oct 24th, 2022. Artwork published in
circa 1972
.
1972 printing
Source: twitter.com License: All Rights Reserved.

When Alianza Editorial brought out a paperback edition with a Spanish translation of Die Verwandlung (English: The Metamorphosis), cover designer Daniel Gil came up with an ingenious idea: why not translate the novel’s theme to a purely typographic solution? Instead of depicting salesman Gregor Samsa transforming into a monstrous insect, the title gradually morphs from News Gothic Condensed into Franklin Gothic Extra Condensed.

For later printings, this design was altered repeatedly. Poppl-Exquisit, used in 1972 for the publisher’s name, was replaced by News Gothic, and the title’s color changed from white to two shades of grey. Later on, someone from marketing might have raised a flag about the colors being too dull and the author’s name not popping out enough. In any case, in 1985, “Franz Kafka” was printed in red, and the parts in Franklin in brown. For my part, these changes didn’t make Gil’s design any better, but luckily, they didn’t ruin it either. I think it’s funny that they added a second level of metamorphosis to the cover and its publication history!

1974 printing
Source: www.ebay.com chenchoquevoy_1. License: All Rights Reserved.
1985 printing
Source: www.abebooks.com Libreria 7 Soles. License: All Rights Reserved.

1985 printing

1995 printing
Source: www.abebooks.com Perolibros. License: All Rights Reserved.

1995 printing

Typefaces

  • Franklin Gothic
  • News Gothic
  • Poppl-Exquisit

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1 Comment on “La Metamorfosis by Franz Kafka (Alianza Editorial)”

  1. Lorraine Li and Jonathan Maghen’s open-source Robert Brownjohn font (published by Primary Foundry in 2021) has a similar trope to Gil’s cover but apparently in a different take using a serif and an even bolder sans serif (both of the faces widths are condensed).

    Comparison (Note that the correct spelling is “Robert”)

    It says that this font was based on a concert poster (hence, as said “cover art” on the foundry’s website) for Grishman-Ryce Duo by Robert Brownjohn in 1959.

    Any thoughts?

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