Many German publishers – especially such who offer sheet music – loved Walter Tiemann’s Tiemann-Mediäval, like Schott, Peters, and Bärenreiter. This title page for Erich Wolfgang Korngold’s Die tote Stadt is an obvious example. It was first published by B. Schott’s Söhne, today known as Schott Music, in 1920. “DIE TOTE STADT” is set in Tiemann-Mediäval regular, and all other text on this page uses Tiemann-Mediäval italic.