Cinema

Sundance 2022 visual identity2022

• Sundance Institute
• The Gordon Co.
• School of Visual Arts (SVA)

Contributed by Ivo Gabrowitsch

VOX JLG du plomb au film by Paule Palacios-Dalens2021

• Paule Palacios-Dalens

Contributed by PampaType Team

Kazakh New Wave by Gulnara Abikeeva2022

• Kirill Gluschenko

Contributed by Kirill Gluschenko

Los tres berretines play, Comedia Cordobesa2011

• Juan Pablo Bellini

Contributed by PampaType Team

Les Rencontres Ad Hoc 2019 festival poster2019

• Brest Brest Brest

Contributed by Production Type

O cinema interior de Philippe Garrel2018

• Bloco Gráfico

Contributed by Swiss Typefaces

Colony House – Only The Lonely album art2017

• Annie Stoll
• Caleb Chapman

Contributed by Shane Sparks

Caderno Micar 20212021

• Rita Ferreira

Contributed by rita ferreira

Pioner Cinema2021

• Olya Kovaleva

Contributed by Adelina Shaydullina

Die Tischrede2017

• Riccardo Marchiori

Contributed by Riccardo Marchiori

Memory of a Fantasy – Interviewing Wes Anderson2020

• Sarah Bourge

Contributed by Sarah Bourge

La Septième Obsession, “Wes Anderson” issue2021

• Alexandre Cano

Contributed by Alexandre Cano

Rosie (2018) movie2018

• Intermission Film
• April Cain

Contributed by Gareth Hague

La Septième Obsession, issue 32, “Love”2021

• Alexandre Cano

Contributed by Alexandre Cano

Cast magazine, No. 6, 20202020

• Joosung Kang

Contributed by Jonas Pelzer

Habib Masrouki par Ghada Selten2021

• Camille Garnier

Contributed by Production Type

Jim Carrey: L’Amérique démasquée2020

• Sylvain Levrouw

Contributed by 205TF

La Septième Obsession, issue 31, “David Fincher”2021

• Alexandre Cano

Contributed by Alexandre Cano

KINO poster Nr. 1472020

• Krzysztof Iwanski

Contributed by David Gobber

Festival of Belarusian Films poster1975

• Ludmila Kalmaeva

Contributed by Alex Chumak

4. Katalanisches Filmwochenende poster2020

• Victor Wendl

Contributed by Victor Wendl

Italia–Russia: Un secolo di cinema2020

• ABCDesign

Contributed by Gayaneh Bagdasaryan

Les lundis de Gigantisme leaflet2019

• Julien Lelièvre

Contributed by Production Type

La Septième Obsession, “James Bond” issuec. 2020

• Alexandre Cano

Contributed by Alexandre Cano

Abaton Kino, Hamburgc. 1970

Photo(s) by Peter Glaab on Flickr.

The Light Observer magazine, October 20202020

• Hugo Berger

Contributed by Hugo Berger

La Septième Obsession, issue 30, “Girl power”2020

• Alexandre Cano

Contributed by Alexandre Cano

NatLab visual identity and websitec. 2019

• Scherp Ontwerp

Contributed by Matthijs Sluiter

Boxoffice Pro magazine redesign2020

• She Was Only

Contributed by She Was Only

La Septième Obsession, issue 29, “Sexe”2020

• Alexandre Cano

Contributed by Alexandre Cano

Franco-German Film Academy Award 20192019

• Nicolas Turki Duchesnay

Contributed by Nicolas Turki Duchesnay

Euskal Zine Bilera Film Festival (2019)2019

• Rubén García-Castro

Contributed by R-Typography

ODG magazine websitec. 2020

• Leonardo De Marchi
• Simone Ellero

Contributed by Gumpita Rahayu

National Museum of Cinema2018

• BRH+

Contributed by BRH+

2019 Ciné festival2019

• Paula Del Mas
• Gimmewings Studio

Contributed by Sharp Type

Cinémas 212017

• Narrative

Contributed by Narrative Bureau de création

Lucio Fulci – Le Poète du Macabre2019

• Clément Deneux

Contributed by Quentin Schmerber

Amigo movie poster and title sequence2019

• Jabi Medina

Contributed by jabi medina

Antonioni at BFI Southbank2019

• unknown

Contributed by Production Type

Manoel de Oliveira’s Grande Plano retrospective2015

• And Atelier

Contributed by Feliciano Type

Festival Internacional de Solos 2018c. 2018

• Oscar Maia

Contributed by Lewis McGuffie

“Das beste ARRI aller Zeiten!” ad2018

• unknown

Contributed by Florian Hardwig

Casting call for the Mitchell Bros.c. 1974

• Brian Heffernan (San Francisco)

Photo(s) by Sean Flannagan on Flickr.

Convent Carmenc. 2018

• Nueve Estudio

Contributed by nueve estudio

Filmstaden2017

• Söderhavet

Contributed by So Type

Cinéma ethnosensible2018

• Félicité Landrivon

Contributed by Lucas Descroix

Bienvenue au Cinéma l’Amour2017

• Marie-France Falardeau

Contributed by Marie-France Falardeau

Polish Animationc. 2018

• Krzysztof Iwanski

Contributed by Swiss Typefaces

Cineworldc. 2018

• Cineworld
• Blue-Zoo Animation

Contributed by Darden Studio

Kosmos – Bühne, Buchsalon, Kino, Bistro, Barc. 2017

• Studio Roth & Maerchy

Contributed by Swiss Typefaces

Double feature: Berlinale 2018 / Imbiss-Oase2018

• unknown
• Velvet Creative Office

Contributed by Tilmann Hielscher

Neue Bilderbühne pencilc. 1925

Photo(s) by altpapiersammler on Flickr.

Rencontres cinématographiques de Dijon 20162016

• Atelier Tout va bien

Contributed by Production Type

“Le cinéma français c’est de la merde!”2016

• Clément Deneux

Contributed by Quentin Schmerber

Diario FICCI2015

• Camilo Roa
• Mottif

Contributed by Camilo Roa

The Confessions2016

• Camilo Roa
• Cristóbal Riesco

Contributed by Camilo Roa

YARA movie theater neon sign

Contributed by Indra Kupferschmid

Moje Kino, Prague2014

• Petr Kudláček

Contributed by Letters from Sweden

Lokremise signs2010

• Alltag

Contributed by Florian Hardwig