Knif mono in use - Fonts In Use

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Knif mono

Designed by Axel Pelletanche-Thévenart and Building Paris in July 2015. Released with A is for in November 2016. Italics followed in January 2018.

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A is for

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Release Date

2016

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Knif mono in use

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Copies / Multiples exhibition posters, Quintal Éditions2018

Oscar Ginter

Contributed by Oscar Ginter

<cite>Copies / Multiples</cite> exhibition posters, Quintal Éditions

Avant le Musée, Musée des Beaux Arts de Strasbourg2019

Brest Brest Brest

Contributed by Axel Pelletanche Thévenart

<cite>Avant le Musée</cite>, Musée des Beaux Arts de Strasbourg

Errance and Solanin by Inio Asano (French edition by Kana)2019

Inoue Norito design office
[Sign*]

Contributed by Quentin Schmerber

<cite>Errance</cite> and <cite>Solanin</cite> by Inio Asano (French edition by Kana)

Sponsor

Jeunes Artistes en Europe. Les Métamorphoses at Fondation Cartier2019

deValence

Contributed by Axel Pelletanche Thévenart

<cite>Jeunes Artistes en Europe. Les Métamorphoses</cite> at Fondation Cartier

De Biarritz Yearbook Vol. 022018

Atelier Malinowsky

Contributed by Axel Pelletanche Thévenart

<cite>De Biarritz Yearbook Vol. 02</cite>

Around The Corner zine, Vol. 02 “India”2018

Andrea Reza

Contributed by Andrea Reza

<cite>Around The Corner</cite> zine, Vol. 02 “India”

“Knif Mono: Psycho Killer” poster2017

Atelier Brenda
Nana Esi
Sophie Keij

Contributed by Atelier Brenda

“Knif Mono: Psycho Killer” poster

Super Paper issue 102, April 20182018

Bureau Mirko Borsche

Contributed by Axel Pelletanche Thévenart

<cite>Super Paper</cite> issue 102, April 2018

Collezione 200 for ISIA Urbino2018

Jonathan Pierini
ISIA Urbino

Contributed by Axel Pelletanche Thévenart

Collezione 200 for ISIA Urbino

Festival Vie Sauvage nº7, 20182018

NDbrg

Contributed by Axel Pelletanche Thévenart

Festival Vie Sauvage nº7, 2018

Super Paper issue 100, February 20182018

Bureau Mirko Borsche

Contributed by Axel Pelletanche Thévenart

<cite>Super Paper</cite> issue 100, February 2018

Kilo Kish — Mothe installation and poster2018

Jakob Lienhard

Contributed by Axel Pelletanche Thévenart

Kilo Kish — <cite>Mothe</cite> installation and poster

Knif (pronounce [Ka-neef])2017

Roosje Klap
Bureau Mirko Borsche
Jan Novák

Contributed by Axel Pelletanche Thévenart

<cite>Knif</cite> (pronounce [Ka-neef])

Super Paper issue 101, March 20182018

Bureau Mirko Borsche

Contributed by Axel Pelletanche Thévenart

<cite>Super Paper</cite> issue 101, March 2018

Studio Silex website/identity2017

Studio Silex
Coralie Milière

Contributed by Axel Pelletanche Thévenart

Studio Silex website/identity

Through a Glass Darkly, UIC Public Seminar Seriesc. 2018

Pouya Ahmadi

Contributed by Blaze Type

Through a Glass Darkly, UIC Public Seminar Series

Catalogue Mode3 Nº2, École Duperré2017

Groupe CCC

Contributed by Axel Pelletanche Thévenart

Catalogue Mode3 Nº2, École Duperré

Can We Talk? Art in the age of populism (publication)2017

Atelier Brenda

Contributed by Axel Pelletanche Thévenart

<cite>Can We Talk? Art in the age of populism</cite> (publication)

Guide de l’étudiant 2017, ENSAD, Paris2017

Rimasùu
Romain Cazier

Contributed by Axel Pelletanche Thévenart

Guide de l’étudiant 2017, ENSAD, Paris

ISS, ECALc. 2017

Thomas Le Provost

Contributed by Axel Pelletanche Thévenart

<cite>ISS</cite>, ECAL

Yearbook 2015–2016, Design Department, Sandberg Instituut Amsterdam2016

Andrea Karch
Daniel Seemayer

Contributed by Axel Pelletanche Thévenart

Yearbook 2015–2016, Design Department, Sandberg Instituut Amsterdam

“Can we talk?”, IETM2017

Atelier Brenda

Contributed by Axel Pelletanche Thévenart

Regionale 17 – Beyond the Real2016

Building Paris

Contributed by Axel Pelletanche Thévenart

Regionale 17 – Beyond the Real

Otherworldly, Gestalten2016

Floyd E. Schulze

Contributed by Axel Pelletanche Thévenart

<cite>Otherworldly</cite>, Gestalten

Der Traum von der Reise zum Mond / Memories of the Moon Age by Lukas Feireiss2016

Floyd E. Schulze

Contributed by Emilie Rigaud

<cite>Der Traum von der Reise zum Mond / Memories of the Moon Age </cite>by Lukas Feireiss