Pink and green

Casa Brasil Coffeesc. 2021

• Estúdio Bogotá
• Gabriel Figueiredo
• Renata Polastri

Contributed by Gabriel Figueiredo

Inigoc. 2021

• Studio Small

Contributed by Nikolas Wrobel

JobRadc. 2018

• unknown

Contributed by TypeMates

Habla de mí en presente – The Remixes album art2021

• Ignasi Àvila Padró
• Patri Vargas

Contributed by Ignasi Àvila Padró

Jonge nederlandse kunst exhibition poster1967

• Gielijn Escher

Contributed by Thomas Van Herck

Forest Gum2020

• Jens Nilsson

Contributed by Sophie Golle

Buyk delivery service brand identityc. 2021

• unknown

Contributed by Alex Slobzheninov

Barco Verde Hostel branding2021

• Célia Grandhomme

Contributed by Celia Grandhomme Branding Agency

The Longleaf Hotel & Lounge2020

• Creative Office of Joshua Gajownik

Contributed by Joshua Gajownik

Vegan JapanEasy by Tim Anderson2020

• Evi O. Studio

Contributed by Gareth Hague

Billboard cover, “License to Thrive”, May 20212021

• Andrew Horton

Contributed by Emma Kumer

Big Fog website2021

• Big Fog

Contributed by Brian Dove

Teen Cuisine: A Beginner’s Guide to French Cooking1969

• Peter Max

Contributed by Elizabeth Goodspeed

“Play on & on & on” poster for SubTonec. 2010

• Planet Jarr

Contributed by Jarr Geerligs

Festiwalik 20202020

• Ola Procak

Contributed by Franziska Weitgruber

The Pandoras – Hey! It’s The Pandoras album art2018

• Patrick Broderick
• Rotodesign

Contributed by Erica Jung

Beatmaster – “Lipservice” single cover1984

• Steven Miglio
• Monica Lynch

Contributed by Florian Hardwig

Do It with Others festival2018

• Gabriela Baka
• Onomatopee

Contributed by Gabriela Baka

Le singe et l’ours c. 2018

• deux point deux

Contributed by deux point deux

The Best Loved Overtures of Weber (Plymouth) album art

• unknown

Photo(s) by Bart Solenthaler on Flickr.

The Magic Barrel by Bernard Malamud (Farrar, Straus and Giroux)1958

• Milton Glaser

Contributed by Garrison Martin

Young Black Adults: Liberation and Family Attitudes by George B. Thomas1974

• Heff Heisler

Contributed by Nick Sherman

BlogoSphere website2020

• BlogoSphere

Contributed by TypeMates

Vent Weekly podcast, Vice UK2020

• Vice

Contributed by Vitória Neves

Estuaire Bière2019

• Agency

Contributed by Village

Typographics 2017 branding2017

• Nick Sherman
• Mark Rossi
• Kelsey Mitchell

Contributed by Type@Cooper

Fantastic world reading to one side2019

• Kyungmin Lee

Contributed by Matthijs Sluiter

Doe Maar – Skunk album art1981

Contributed by Nick Sherman

“Be In” poster1967

• Peter Max

Contributed by Florian Hardwig

Sonic Arts Union, Issue Project Room, New York2018

• Anja Kaiser

Contributed by Pierre Pané-Farré

A Life: Lawrence Ferlinghetti. Beat Generation, Rebellion, Poetry2017

• Chan Wai Hon
• Jo chieh Huang

Contributed by Hon Chan

Zani Diabate et le Super Djata Band du Mali, Volume 2c. 1985

Contributed by Owen Gardner

Santa Esmeralda – “Don’t Let Me Be Misunderstood” German single cover1977

• Gisela Kossatz

Contributed by Florian Hardwig

Sugar Loungec. 2019

• Kelly Shield

Contributed by Kelly Shield

“No One” / “Incendiary Device” – Johnny Moped1977

• Press & Post Ltd.

Photo(s) by Klaus Hiltscher on Flickr.

Tanukichan – “So Gone” single cover2019

• Marc Jones

Contributed by Marc Jones

Allez! Prácticas ambulantes y museos dispersos2019

• Todojunto

Contributed by Todojunto Studio

Datashock – Kräuter der Provinz2018

• Manuel Wesely
• mm, m
• ConeTheWeird

Contributed by Manuel Wesely

Geldmattie2018

• Mosterd & co

Contributed by Matthijs Sluiter

Future Circus Lab #32017

• Pan Yuchou

Contributed by Benoît Bodhuin

Zintuigen by Laurens De Keyzer, Lannoo2003

• Jan Middendorp

Contributed by Jan Middendorp

Primark Apologiser2017

• Primark

Contributed by Gareth Hague