The regular style was shown by Bauer in 1901. [Stephan Müller]
Klinkhardt had a whole series feat. Sezessions-Grotesk
(before 1905), Sezessions-Kursiv and a halbfett. There
are also licht (open, 1903), Kursiv halbfett (c. 1906) and fett
(1909) styles. Cast under the same name by Brendler/Flinsch, by
Stephenson Blake (as Arabian, 1903), by Fondografica
(as Como), by Schriftguss (as
Künstler-Grotesk, in breit, licht (before 1905) and
schmal (before 1911) styles), and by Società Augusta (as
Melpomene, 2 weights, before 1914) [Reichardt,
Klimsch-Jahrbuch 1907]. Reggiani had the halbfett as
D’Annunzio [1937
specimen]. Reichardt further mentions that Arabian
originated at Riegerl, Weißenborn & Co.
Not to be confused with Sezessions-Grotesk (Ludwig
& Mayer, before 1907) or Secession More…
The regular style was shown by Bauer in 1901. [Stephan Müller] Klinkhardt had a whole series feat. Sezessions-Grotesk (before 1905), Sezessions-Kursiv and a halbfett. There are also licht (open, 1903), Kursiv halbfett (c. 1906) and fett (1909) styles. Cast under the same name by Brendler/Flinsch, by Stephenson Blake (as Arabian, 1903), by Fondografica (as Como), by Schriftguss (as Künstler-Grotesk, in breit, licht (before 1905) and schmal (before 1911) styles), and by Società Augusta (as Melpomene, 2 weights, before 1914) [Reichardt, Klimsch-Jahrbuch 1907]. Reggiani had the halbfett as D’Annunzio [1937 specimen]. Reichardt further mentions that Arabian originated at Riegerl, Weißenborn & Co.
Not to be confused with Sezessions-Grotesk (Ludwig & Mayer, before 1907) or Secession (Berthold, 1901).
Text Gothic (ABC Types, 2004) is a loose digital interpretation in two weights.
