Overseen by Robert Harling, Stephenson Blake’s reinterpretation of 19th-century French Antique wood type [Millington]. Slightly narrower than Caslon’s French Antique but not as compressed as Page’s. Copied by Baltotype as Trylon, with added shaded styles, see Trylon Shaded.
Bitstream’s digitization is distinguished by squarer forms and an ‘A’ with top bar.