Designed by Morris Fuller Benton at ATF in 1931–35. Sol Hess at
Lanston Monotype added various Extrabold and Condensed styles in
1934–37. Gerry Powell at ATF added a Bold Condensed in 1937.
Some styles were also cast by Kobundo (as
Alexandria) and Simmelkiær (as
Blackburn). Stymie Shaded was sold by
Berthold (as Zierschrift Boston), Ludwig Wagner (as
Excellenta) and ldzkowski (as Verona).
[Reichardt]
L&C
Stymie Hairline is an extralight extension by Lubalin &
Carnase (ITC, 1972).
Various digitizations; by Linotype/URW/Elsner+Flake (4 weights
plus 2 condensed styles, URW
additionally offers small caps and display caps variants),
Bitstream (4 weights plus 3 italic
and 1 condensed More…
Designed by Morris Fuller Benton at ATF in 1931–35. Sol Hess at Lanston Monotype added various Extrabold and Condensed styles in 1934–37. Gerry Powell at ATF added a Bold Condensed in 1937.
Some styles were also cast by Kobundo (as Alexandria) and Simmelkiær (as Blackburn). Stymie Shaded was sold by Berthold (as Zierschrift Boston), Ludwig Wagner (as Excellenta) and ldzkowski (as Verona). [Reichardt]
L&C Stymie Hairline is an extralight extension by Lubalin & Carnase (ITC, 1972).
Various digitizations; by Linotype/URW/Elsner+Flake (4 weights plus 2 condensed styles, URW additionally offers small caps and display caps variants), Bitstream (4 weights plus 3 italic and 1 condensed styles), Scangraphic (4 weights plus 4 italic, 1 condensed, and 1 Bold Headline styles). Stymie Extra Bold (Jordan Davies, Wooden Type Fonts, 2019) is a digitization of Monotype’s Extrabold.
